St. George's rescue of Princess Elisava
"In this icon the artist turned to the type of subject most popular in the Ukraine, which includes an episode of St. George's rescue of Princess Elisava from a ravenous dragon. Such was the subject in folklore: "There were pagan people who did not believe in God, but in Smok, a ferocious Dragon with flame blazing from its mouth and sparks flashing from its eyes. They sacrificed to Smok a man every hour. Then came the time for the czar either to come himself, or to give it his daughter. And so St. Yura came on a white horse and carrying a spear. He struck Smok between the eyes, slaying him forever. This is written to the whole world, sent to all people, to read and to write, St. George to glorify."
Unlike other icons on this subject, the artist solved the problem of composition in an original way: here the spear with which the saint slays the dragon is leveled by an angel which has appeared from the sky (in other icons an angel crowns St. George), and the horse's hooves trample the dragon while Princess Elisava, full of gratitude, kneels before the victor. The background of the icon against which the event is developing is also unusual: it presents a Gothic castle with its unique decorations, like pinnacles, weather-vanes, and gears to raise a drawbridge; even guards are represented as two knights with spears. A crowd of witnesses is on the tower, including Elisava's parents with crowns on their heads.
Despite a certain Gothic influence evident also in definite stylistic devices like the sharply broken folds of St. George's red cloak, the icon bears traditional features of Ukrainian art: decorative flatness and obligatory conventionality, due to which the life of a saint was never identified with the life of a common man."
http://www.ugcc.org.ua/Gallery/Room3.html
Unlike other icons on this subject, the artist solved the problem of composition in an original way: here the spear with which the saint slays the dragon is leveled by an angel which has appeared from the sky (in other icons an angel crowns St. George), and the horse's hooves trample the dragon while Princess Elisava, full of gratitude, kneels before the victor. The background of the icon against which the event is developing is also unusual: it presents a Gothic castle with its unique decorations, like pinnacles, weather-vanes, and gears to raise a drawbridge; even guards are represented as two knights with spears. A crowd of witnesses is on the tower, including Elisava's parents with crowns on their heads.
Despite a certain Gothic influence evident also in definite stylistic devices like the sharply broken folds of St. George's red cloak, the icon bears traditional features of Ukrainian art: decorative flatness and obligatory conventionality, due to which the life of a saint was never identified with the life of a common man."
http://www.ugcc.org.ua/Gallery/Room3.html